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	<title>NA2 &#187; art history</title>
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		<title>How Did The Face Cards In A Deck Of Cards Evolve?</title>
		<link>http://www.na2.org/poker/the-evolution-of-a-deck-of-cards-face-cards/</link>
		<comments>http://www.na2.org/poker/the-evolution-of-a-deck-of-cards-face-cards/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 19:22:36 +0000</pubDate>
		<dc:creator>Thomas Kearns</dc:creator>
				<category><![CDATA[Poker]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[card games]]></category>
		<category><![CDATA[entertainment]]></category>
		<category><![CDATA[Gambling]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[playing cards]]></category>
		<category><![CDATA[recreation]]></category>

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		<description><![CDATA[There was a card craftsman who, as a French military commander, battled alongside Joan of Arc. His name was Etienne de Vignolles, known as La Hire. The courage and heroism of the legendary maid of Orleans so impressed him he removed the knight from a deck of cards and replaced it with a dame. Decorating cards with religious motifs or those depicting humans did not raise the wrath of the Catholic church. The king of spades was designed after King David including his sword and quiver. Charles the Great became the king of clubs, Julius Caesar the king of diamonds, and Alexander the Great was symbolized by the king of hearts. These four members of the monarchy came together to represent the four springboards of western civilization.]]></description>
			<content:encoded><![CDATA[<p>There was a card craftsman who, as a French military commander, battled alongside Joan of Arc. His name was Etienne de Vignolles, known as La Hire. The courage and heroism of the legendary maid of Orleans so impressed him he removed the knight from a deck of cards and replaced it with a dame. Decorating cards with religious motifs or those depicting humans did not raise the wrath of the Catholic church. The king of spades was designed after King David including his sword and quiver. Charles the Great became the king of clubs, Julius Caesar the king of diamonds, and Alexander the Great was symbolized by the king of hearts. These four members of the monarchy came together to represent the four springboards of western civilization.</p>
<p>Today&#8217;s Queens and Jacks did not evolve as consistently. Athena represented the queen of spades, undoubtedly also drawn to be reminiscent of the soldier, Joan of Arc. Rachel, for whom Jacob hung around for 14 years to marry was the queen of diamonds. Oddly, the queen of hearts was depicted by Judith, the lovely maiden who lopped off the head of Holofernes. Now it gets complicated: the queen of clubs was an amalgamation of an abstract favorite of kings, termed Argine, which may have been named for an anagram of regina (queen). But again, it could have been used to suggest Joan of Arc as the king of clubs was depicted by Charles the Great, a very distinguished French Catholic honcho.</p>
<p>A knight from Charlemagne&#8217;s court served as prototype for the jack of spades; Hector &#8211; for diamonds; la Hire for hearts; and Judas Maccabeus for clubs. As a variation of this, the four jacks represented four famous knights, with their names printed below them on the cards: Lancelot, Ogier, Roland, and Valery. Youthful, beardless, warriors with long haircuts wielded a battle axe. All except Valery (who happened to be the chief craftsman of that deck) had a scent hound at their feet.</p>
<p>Still lower on the scale came the cards from 10 to 2, marked by the appropriate number of suit symbols, greatest value accorded to the greater number. The English word &#8220;Ace&#8221; first meant &#8220;unit,&#8221; and had French, Spanish, German and other equivalents: as, aas, ass, etc. The Ace stood lower on the scale than 2. However, the medieval Catholic Church viciously opposed such a classification. God was &#8220;one,&#8221; and hence any game or numeric system which defined His number as the lowest was blaspheme and Satan&#8217;s work. Anyone who would not agree had to be convinced by an array of means which were difficult to argue with down at the basement.</p>
<p>The Ace stands today for something almost metaphysical &#8211; the quintessence of oneness, if you will, which becomes more valuable than any one personification. In reality, should a lone, simple card be given such mystical attributes?</p>
<p>This amorphous debate has been argued for centuries. There are many countries in this world of ours that consider spirit and matter as one and as an important facet of our self-awareness. In these modern times more than ever before, the rational, mystical, quasi-physical and sometimes, sexual elements of a deck of cards are greatly admired. The Ace remains the essential entity of all or nothing, or something of an indeterminate element in the game of cards and life.</p>
<p>More down-to-earth, the cards have always served their utilitarian function &#8211; that of an object with which to play games. The hierarchy from King to two to Ace, and the innumerable possible combinations of cards of varying values according to their rarity give much fodder for anyone to project onto the deck whatever social or spiritual aspirations they may have.</p>
<p>The author is a successful limit cash game player. He plays poker online and receives <a href="http://www.rakebacksolution.com/rakeback/minted-poker.html">Minted Poker Rakeback</a> as well as <a href="http://www.rakebacksolution.com/rakeback/gutshot-poker.html">Rakeback at Gutshot Poker</a>.</p>
<p>categories: playing cards,poker,gambling,card games,art,history,recreation,entertainment,art history</p>
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