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There was a card craftsman who, as a French military commander, battled alongside Joan of Arc. His name was Etienne de Vignolles, known as La Hire. The courage and heroism of the legendary maid of Orleans so impressed him he removed the knight from a deck of cards and replaced it with a dame. Decorating cards with religious motifs or those depicting humans did not raise the wrath of the Catholic church. The king of spades was designed after King David including his sword and quiver. Charles the Great became the king of clubs, Julius Caesar the king of diamonds, and Alexander the Great was symbolized by the king of hearts. These four members of the monarchy came together to represent the four springboards of western civilization.

Today’s Queens and Jacks did not evolve as consistently. Athena represented the queen of spades, undoubtedly also drawn to be reminiscent of the soldier, Joan of Arc. Rachel, for whom Jacob hung around for 14 years to marry was the queen of diamonds. Oddly, the queen of hearts was depicted by Judith, the lovely maiden who lopped off the head of Holofernes. Now it gets complicated: the queen of clubs was an amalgamation of an abstract favorite of kings, termed Argine, which may have been named for an anagram of regina (queen). But again, it could have been used to suggest Joan of Arc as the king of clubs was depicted by Charles the Great, a very distinguished French Catholic honcho.

A knight from Charlemagne’s court served as prototype for the jack of spades; Hector – for diamonds; la Hire for hearts; and Judas Maccabeus for clubs. As a variation of this, the four jacks represented four famous knights, with their names printed below them on the cards: Lancelot, Ogier, Roland, and Valery. Youthful, beardless, warriors with long haircuts wielded a battle axe. All except Valery (who happened to be the chief craftsman of that deck) had a scent hound at their feet.

Still lower on the scale came the cards from 10 to 2, marked by the appropriate number of suit symbols, greatest value accorded to the greater number. The English word “Ace” first meant “unit,” and had French, Spanish, German and other equivalents: as, aas, ass, etc. The Ace stood lower on the scale than 2. However, the medieval Catholic Church viciously opposed such a classification. God was “one,” and hence any game or numeric system which defined His number as the lowest was blaspheme and Satan’s work. Anyone who would not agree had to be convinced by an array of means which were difficult to argue with down at the basement.

The Ace stands today for something almost metaphysical – the quintessence of oneness, if you will, which becomes more valuable than any one personification. In reality, should a lone, simple card be given such mystical attributes?

This amorphous debate has been argued for centuries. There are many countries in this world of ours that consider spirit and matter as one and as an important facet of our self-awareness. In these modern times more than ever before, the rational, mystical, quasi-physical and sometimes, sexual elements of a deck of cards are greatly admired. The Ace remains the essential entity of all or nothing, or something of an indeterminate element in the game of cards and life.

More down-to-earth, the cards have always served their utilitarian function – that of an object with which to play games. The hierarchy from King to two to Ace, and the innumerable possible combinations of cards of varying values according to their rarity give much fodder for anyone to project onto the deck whatever social or spiritual aspirations they may have.

The author is a successful limit cash game player. He plays poker online and receives Minted Poker Rakeback as well as Rakeback at Gutshot Poker.

categories: playing cards,poker,gambling,card games,art,history,recreation,entertainment,art history

Most of you will instantly recognize the series of paintings titled Dogs Playing Poker created by Cassius Marcellus Coolidge. Mr. Coolidge was born into a family of Quaker farmers who were very much into abolition and was named after one of the most eloquent orators of the time who was given the resounding nickname of “The Lion of White Hall. Coolidge, nicknamed “Cash” by friends and relatives, did not receive any formal training in the arts, but was nonetheless a prolific artist, publishing his drawings in papers before reaching the ripe old age of 20.

In 1903 he was commissioned a series of paintings on his favorite theme: mastiffs and Saint Bernards engaged in human activity. On nine of the sixteen paintings well bred and mannered dogs drink beer and whiskey, smoke cigars and pipes, and play five-card draw poker. Furry and in fur coats or flannel suits, they usually fill a cozy room with the only source of light being a shaded lamp above the table.

These reasonably well-behaved gentlemen are members of an established, respectable class of town folk, who though certainly not stodgy, are quite proper enough. If you can conjure up Sergio Leone’s movie “Once Upon a Time in America,” you are in the right time period. But the artist is not focusing on the greed and dark violence of the illegal underground clubs depicted in Leone’s movie. He allows poker to come out of the darkness of all this into a more wholesome, mainstream faction of society where decent folk who may be wagering on a game, are certainly not into it for more than a few token pennies, and are indulging in a rare sip of whiskey and small pipe or cigar while their wives are away. By this time, poker was becoming a respectable and common pastime for most American males. It was no longer viewed as just as way to make a quick, risky and dangerous buck.

Well-respected gentlemen around 1875 were attending large evening poker games. A monthly rag called “Poker Chips” was one of the publications devoting itself to the game and most others published poker-related articles. As the century ended, rules became codified for draw-poker for the first time and were in force in all of the poker clubs. Some reporters went so far as to claim that baseball was no longer the national past time.

Little by little, the skills at poker and skills at using a weapon were becoming the premier attributes of many a manly man. If a man had the ability to play a good game of poker, he was considered also to be a fine soldier, sheriff, law man of any persuasion and a solid, honest political leader as well. As a matter of fact, in World War I in Europe in 1918, poker was the most enjoyed form of entertainment among the troops and of one Harry Truman. Truman actually greatly enhanced his own skill at draw and stud poker as an artillery officer. Upon the signing of the peace treaty, while the troops were awaiting their transport home orders, Harry T. and his troops whiled away the time playing endless hands of poker. A habit they continued well after arriving at their homeland.

At that time, the prevailing view was to equate the ability to take risks at the table, to bet big, play smart, and bluff, (profitably, of course!) to the ability to survive in battle, in dangerous occupations like law enforcement, or do any job requiring a good brain and strong muscles.

Coolidge had ample opportunity to observe the types, the clothes, the cards, and the basement clubs where games were regularly held. Adding a vivid touch of anthropomorphic humor, he created memorable representations of the middle class enjoying a game by then at least 200 years old.

The author takes advantage of the highest Absolute Poker Rakeback. Please visit Rakeback Solution to also sign up for Absolute Rakeback.

categories: poker,gambling,games,card games,dogs,art,entertainment